Cyanotypes of British and Foreign Flowering Plants

ArtistAnna Atkins (British, 1799–1871) and Anne Dixon (British, 1799–1877)
Dateabout 1854
MediumCyanotypes
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After completing the highly ambitious, decade-long project Photographs of Blue Algae: Cyanotype Impressions in the summer of 1853, Anna Atkins turned to new botanical subjects. She would eventually produce several unique presentation albums with cyanotypes of ferns and flowering plants. Atkins most likely collaborated on these albums with her dear friend, Anne Dixon. Dixon came to Halstead Place for an extended stay in the summer of 1852 to comfort Atkins who was deeply shaken by the death of her father and frequent scientific partner John George Children earlier that year. Photo historian Larry Schaaf suggests that it was during this stay or perhaps one the next summer that Dixon began assisting Atkins and creating her own cyanotypes. Thus, it becomes difficult to know whether surviving works from this time period were created by Atkins, Dixon, or both.1

Figs. 1-5: From Anna Atkins and Anne Dixon, Cyanotypes of British and Foreign Flowering Plants, left to right: Ceylon Fern (84.XP.259.2), Convalaria Multiflora (84.XP.467.7), Polypodium Aureum (Jamaica) (87.XM.115), Uvena Novae Villiae (84.XM.797), and Cypripedium (84.XP.463.3). Los Angeles, J. Paul Getty Museum.

These seven pieces in the J. Paul Getty Museum Collection (figs. 1-7) were extracted from an 1854 presentation album Cyanotypes of British and Foreign Flowering Plants given by Anna Atkins to Anne Dixon in 1854. The album remained intact until sometime around 1981, when it was broken up after being sold at auction.

Figs. 6-7 (mount cropped). From Anna Atkins and Anne Dixon, Cyanotypes of British and Foreign Flowering Plants, left to right: Leucojam Varium (84.XP.467.4) and Iris Sibirica (84.XP.467.5). Los Angeles, J. Paul Getty Museum.
Figs. 6-7 (mount cropped). From Anna Atkins and Anne Dixon, Cyanotypes of British and Foreign Flowering Plants, left to right: Leucojam Varium (84.XP.467.4) and Iris Sibirica (84.XP.467.5). Los Angeles, J. Paul Getty Museum.

Atkins and Dixon shared a deep interest in botany, a science that was considered well suited to women since it could be studied locally, even in one’s own garden. Serious “lady botanists” could join the Botanical Society in London, one of the first scientific organizations to admit women. Atkins joined in 1839. The two friends’ interest in botany is documented in a letter of 1851 from Children to Sir William Hooker in which he discussed the two women’s longtime plant collecting. Later, in a letter that Atkins wrote to Hooker in 1864, she extended an offer from Dixon to send him samples of any of the plants from her own collection.2

  • Carolyn Peter, J. Paul Getty Museum, Department of Photographs
    2019

For more information about the artist and this work see:

  • Schaaf, Larry. Sun Gardens: Cyanotypes by Anna Atkins. New York: The New York Public Library, 2018.
  • Shteir, A. Cultivating Women, cultivating Science: Flora's Daughters and Botany in England, 1760-1860. Baltimore: John Hopkins University Press, 1996.


  1. Larry Schaaf, Sun Gardens: Cyanotypes by Anna Atkins (New York: The New York Public Library, 2018), 77.
  2. Ibid, 80.